Potato Print, 2004

 

Black Gouache on 12 sheets of paper, 50 x 70 cm

Image information is taken from the central white area of the images from series White Rose (unfinished since 2001). This information is broken down into 6 different shades of white.

For each shade a different sized potato is used to represent that shade. The largest potato represents the whitest area, whereas for the darkest greys the smallest potato is used resulting in the negative of the original white image information.

This body of work is a direct development from Negative Light, 2004 that used similar principles of representing brightness of areas of light with the important difference that the white areas selected for potato prints is round in shape. The round potato imprints pick up this roundness of the macro-structure.

Although the grid that organises the form is clearly visible, it decomposes towards its centre due to an emerging 'chaotic' pattern of white spaces that are in some sense negative correlates to the clearly visible round potato imprints at the border of the form. For the central pattern to appear 'chaotic' (and even 'dancing' in front of the eyes) a few reasons can be named: (1) The white areas are irregular; (2) they do not consistently appear - sometimes they are 'blacked out' by the potato imprint; (3) occasionally the potato imprint leaves a white mark where the paint has not printed, which confuses the outline of the grid. In Negative Light, the white lines between the pieces of paper although apparently randomly distributed enforced the rectangular grid at the centre of the figure; here, the grid starts to disintegrate.

With Potato Prints I am looking at round structures that although based on grids upset the rigidity of the square economy.


 Test Page by Julian S.

Michael Schwab

CV

Documents

 

News

Wieviel Wissenschaft bekommt der Kunst?
Oesterreichische Forschungsgemeinschaft, Wien

4 & 5/11/2011

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Imagining Imagination
Royal College of Art, London

10 & 11/06/2011

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Suspense - International Symposium
on Rethinking Research
Cinema Zuid, Antwerp

04/05/2011

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Modes of Collaboration between
the Arts and Sciences,
ZHdK, Zurich

29/04/2011

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Architecture + MIT 150

25-27/04/2011

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Drawing in an Expanded Field
Academie Royale des Beaux Arts
de Bruxelles

25-27/02/2011

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Habitus in Habitat III
Synesthesia and Kinaesthetics
ZfL, Berlin

22-24/10/2010

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Unexpected Variations
Orpheus Research Center in Music, Ghent

15-17/09/2010

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Please support the
Journal for Artistic Research (JAR)

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Arts Research: Publics and Purposes,
GradCam, Dublin

15-19/02/2010

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Components of the Image
Exhibition 036 at SWG3 in Glasgow

09-18/10/2009

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Sensuous Knowlege Conference 6
Bergen, Norway

23-25/09/2009

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International Walter Benjamin Association
Antwerp, Belgium

14-17/09/2009

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First, the Second:
Walter Benjamin's theory of reflection
and the question of artistic research

Journal of Visual Arts Practice (7.3)

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International Seminar 'Light Touches'
Figures of Touch Research Project
University of Art and Design, Helsinki

10-11/06/2009

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The Difference between Art
and Art Research
Züricher Hochschule der Küste

23-24/04/2009

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Creative Practice, Creative Research
York St. John University


Download my paper in the 'Documents' section.

25-17/04/2009

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The Art of Research: Research Narratives
Chelsea College of Art and Design

28-30/10/2008

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Research into Practice conference
Royal Society of Arts

31/10/2008

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/seconds issue 9
vanishing point, the vicious and virtuous circle

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Conference Contribution and Exhibition

'Figurations of Knowledge'
5th Biannual European Conference of the Society for Literature, Science, and the Arts (SLSA), Berlin

02 - 07 June 2008


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Paris

Book Launch

18 May 2008

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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab

Studio 1.1, London

11/05 - 01/06/2008

Private View:
10/05/2008 6-8pm


Artists' Talk:
25/05/2008 3.30pm

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Full Circle Family Workshops

Gasworks, London

19 - 22 February 2008

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Keynote Paper and Exhibition

'Art and Research: How?'
International Conference at the Estonian Academy of Arts, Tallinn


14/15 February 2008

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Artist Talk

'figure' at the Tramdepot Gallery, London

3 February 2008, 2pm

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Figure

The Tramdepot

Private View Friday 25 January 7 - 11 pm

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As if something once mentioned, now plain to see

Book by COLONY, Birmingham

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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab

Huisrechts, Amsterdam

13.9 - 16.10 2007

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Political Art 2007 Almanac
Reunion Projects

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Artistic Research and the Role of Critique.

In: van Koten, H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006.

Dundee: Duncan of Jordanstone College, 2007. ISBN:  1 899837 56 6.